ARTISTIC INTERPRETATION OF THE EAST SUBJECT AND PRINCIPLES OF LIGHTING IN THE CREATION OF JORGE LUIS BORJES
Keywords:
Borges, Eastern theme, Simurgh,Abstract
studies the artistic interpretation of the theme of the East and the principles of its illumination in the work of the Argentine writer and thinker Jorge Luis Borges (1899–1986) based on the IMRAD structure. The research material was taken from the writer's works "The Book of Imaginary Creatures", "Nine Dante Essays", "Seven Nights", "The Aleph", "Approach to Al -Mu'tasim", "The Masked Painter - The Sage of Merv", "The Immortal", "The Garden of Branching Paths". Using analytical, comparative -typological, biographical and hermeneutic methods, the sources of Borges' interest in Eastern literature and culture, the influence of Farididdin Attor's epic poem "Mantiq ut -tair", and his new interpretation of Arabic, Indian, Chinese and Buddhist mythological images in essays and stories are revealed. At the same time, some one-sided interpretations in the writer's work are also critically assessed. In conclusion, it is argued that Borges presented the East not as an "other", but as an equal part of universal human thought.
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